From monumental canvases to thought-provoking installations, these are the works shaping conversations at IAF this year.

Following up last year’s runaway horror success Longlegs, Osgood Perkins tries his hand at a horror comedy. But dopey dialogue and frat-boy humor deflate the pure thrill of its excellent gore.

Because freebies are given, structural reform of the economy does not take place; and because such essential reform does not ...