Opus, Mark Anthony Green

The 'Opus' ending parallels Luigi Mangione's story, according to director Mark Anthony Green
The "Opus" ending has a twist that makes audiences reconsider how they view Moretti, John Malkovich's mysterious pop star turned cult leader.
Opus: John Malkovich, Mark Anthony Green on storytelling and creating pop stars
John Malkovich and Mark Anthony Green spoke to Digital Trends about their movie Opus, the art of storytelling, and how to create a pop star.
Why ‘Opus’ Director Mark Anthony Green Swept His Own Movie Set
The GQ editor-turned filmmaker’s new A24 movie is a warning against tribalism and cults of personality, and was made with such modest means that he felt the need to lead by example: “Every time we break a window,
In conversation with Mark Anthony Green: From GQ to ‘Opus’
Mark Anthony Green began writing for GQ when he was 19 years old. After graduating from Morehouse College, he started working for the publication full time as a style columnist, interviewing some of the biggest names and celebrities around.
'Opus': Mark Anthony Green was 'constantly inspired' by his cast, Ayo Edebiri, John Malkovich, Juliette Lewis
In Mark Anthony Green's Opus, Ayo Edebiri is a young writer to make her mark in journalism, working at a prestigious music magazine.
Opus film review — John Malkovich turns mysterious pop star in hip horror
Simply sign up to the Film myFT Digest -- delivered directly to your inbox. John Malkovich has played all manner of unlikely roles — a US Army general, a cruise ship captain, a Russian gambler — but more often than not,
‘Opus’: Casting John Malkovich as a Popstar Was a Rotten Idea
Casting is important. I feel like I’ve seen dozens of interviews with directors who humbly suggest that once you hire the right actors and let them do their thing, brilliance follows. It’s rare these days to see a truly rotten pairing of performer and role,
Here’s How John Malkovich Became A Diabolical Diva In ‘Opus’
The iconic actor and writer-director Mark Anthony Green discuss the thriller and who inspired Malkovich's maleficent Moretti, a man who puts the cult in pop culture.
'Opus' review: John Malkovich plays pop superstar in clumsy thriller
The famously intense actor is a bad fit for the role of a dance-pop megastar in Mark Anthony Green's debut film.
An unhinged John Malkovich can’t help the cult-horror misfire ‘Opus’
John Malkovich leans into his regular off-kilter creepy to play the unlikely pop star at the center of this serious misfire by the A24 studio
John Malkovich Performs Original Tracks on OPUS: THE MORETTI From New A24 Film
The Moretti EP, the stunning 3-song EP from the movie now in theaters. The 3 tracks are all original songs performed by John Malkovich, and written and composed by Nile Rodgers and The-Dream. Each of the tracks exhibits a nostalgic,

Opus, Is It Streaming

‘Opus’ Director Mark Anthony Green on Ayo Edebiri, Who He Wanted to Cast Before They Died, and Sean Baker’s Wise Words About Theaters
Opus' director Mark Anthony Green talks casting Ayo Edebiri and trying to get poet Nikki Giovanni to star in the film before ...
A24’s Opus is a stylish symphony of half-baked ideas
John Malkovich’s dulcet tones are the only thing that comes through clear in Mark Anthony Green’s debut feature.
Movie review: ‘Opus’ a messy mashup of previous A24 films
Before writer/director Mark Anthony Green pivoted to filmmaking, he was an editor at GQ Magazine — he knows the world of ...
'Opus' Review: John Malkovich Has a Fever, and the Only Prescription Is a Better Movie
Only Ariel seems to think any of this weird stuff is suspicious. To everyone else it's just show business. Artists are ...
How John Malkovich Manipulates the Music in Opus
Malkovich tells Consequence that "I've done all kinds of unlikely things, but that was really a singular experience." How ...
It's a pop star vs. critics in the scattered cult horror Opus
Ayo Edebiri and John Malkovich square off in a film pitting a culty pop musician against the critics, but Opus needs far more ...
Review: 'Opus' starring Ayo Edebiri from 'The Bear' is a cynical misfire
The debut film from director/writer Mark Anthony Green is a messed-up send-up of pop-culture celebrity that has few redeeming ...